• Ce n’est pas moi qui le dis, c’est Terrence Bowman, un improvisateur de Montréal: http://www.withoutannette.net/blog/?p=709

  • Truckasaurus is the coolest thing, after Chimpmunks. It’s a dragon monster-truck that eats cars and shoots flames. How cool is that ? I discovered it thanks to my workshop friends in Calgary. Apparently, in America, people have events like this, on sundays, where they set up this monster to eat cars in a huge arena.…

  • I’m back…

    I’m back from the trip. It was awesome and I loved it. I miss Chicago, Minneapolis and Calgary. I’ll keep writing some more posts under the [Voyages] tag, but after that, it’s back to normal… Je suis de retour. Le voyage était génial et j’ai adoré. Chicago, Calgary et Minneapolis me manquent. Je vais continuer…

  • Une recommandation de mon prof de Comedy Writing à Chicago, Joe Janes. Cette comédie musicale a été spécialement conçue pour une distribution sur internet par le créateur de Buffy contre les Vampires (j’en connais un à qui ça va faire plaisir…). L’auteur Joss Whedon a écrit ce film en plein milieu de la grève des…

  • Keith Johnstone is an international reference on improvisation. He invented a big chunk of the concepts, games and exercises used today by improvisers from around the world.He founded the Loose Moose Theater in Calgary, and is the author of two phenomenal and highly influential books on improvisation: Impro and Impro for Storytellers. Keith curently tours…

  • Shawn Kinley performs at the Loose Moose Theater in Calgary and teaches all around the world! [dailymotion x68xwj]

  • [dailymotion x68xvy] Edit : I realize we can’t see anything of the inside of the theater on this crappy video, so I’ll put up some pictures…

  • A l’occasion d’une soirée pendant l’atelier de dix jours avec Keith Johnstone, nous avons regardé et commenté “Le Kid”, “La ruée vers l’or” et “Le Cirque” de Chaplin, ainsi que “Seven Chances” de Buster Keaton. Beaucoup d’illustrations du concept d’advancing / not advancing (Impro for Storytellers, p. 248 – 254). J’ai du mal à expliquer…

  • During writing class at Second City, one of the exercises was creating characters based on various “triggers”. My friend Kristen from Philadelphia created a robot. This made me realize that I have NEVER seen an improv scene with a robot in it, even in science fiction scenes. Or a scene between robots. This is something…

  • As improvisers, our biggest gift is that a scene is just one scene. We fucking don’t care if it went good or bad. There are hundreds and thousands more scenes coming up, so who cares? Why get in our heads for just one scene? I realized that while brushing my teeth. And also after realizing…